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by Dai Fujikura

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Dai Fujikura's third release on his Minabel imprint, Mirrors, is devoted to performances of four symphonic works that were programmed and recorded in a portrait concert of his music in his native Japan, at Tokyo's famed Suntory Hall in 2012. Performed by the Tokyo Metropolitan Symphony Orchestra under the direction of Tatsuya Shimono and edited and mixed by Fujikura himself, this release is a unique opportunity to hear an orchestra focused exclusively on one living composer's music in versions that reflect the composer's explicit wishes for how the ensemble should be balanced and what elements are primary in the score.

"Tocar y Luchar" was written on the occasion of the 30th birthday of the Venezuelan conductor Gustavo Dudamel and the 36th anniversary of the ground breaking Venezuelan education program, "El Sistema." Dudamel conducted the Simon Bolivar Youth Orchestra in the work's premiere. Fujikura researched "El Sistema" while composing the piece, becoming interested in how the children in the program came from different backgrounds but acted as one entity when they worked together. As he often does in his work, Fujikura drew an analogy with a natural phenomenon, seeing the children as a "swarm," like birds or fish. Inspired by this environmental paradigm, the work flows as one large phrase that is made up of small components swarming together to form a whole.

The material from the "Bassoon Concerto" is based on music from Fujikura's solo bassoon piece, "Calling" (heard on Rebekah Heller's TUNDRA imprint release, 100 Names TUN001). The orchestra functions as a magnification of dense multiphonics on the bassoon, creating prismatic harmonies. "Mirrors", commissioned by the Chicago Symphony Orchestra, is written for a cello section alone. Fujikura became interested in creating a "mirror" relationship between plucked pizzicato and bowed arco sounds, and this relationship gradually distorts through the piece, creating the sonic equivalent of a "hall of mirrors." "Atom" takes a solitary repeated staccato note as its genesis, with Fujikura drawing on processes honed in the electronic music studio to guide the development of the work.

In all four works on "Mirrors", we hear Fujikura experimenting with ways of using the ensemble and of generating material. Whether he is drawing inspiration from the collective model of "El Sistema" or tinkering with the most fundamental components of sound, Dai Fujikura is constantly searching for fresh approaches to instrumental writing and formal organization, and this recording is a vital document of his journey.


released August 7, 2014

All tracks produced by Dai Fujikura.
Recorded by Takeshi Muramatsu at Octavia Records Inc. /Tokyo, 2012
Assistant Engineers: Keiji Ono, Masashi Minakawa
Mixed & Digital Edited by Dai Fujikura at Minabel studio / London, 2012-2013
Mastered by Andreas Meyer of Meyer Media LLC




Dai Fujikura London, UK

Born in 1977 in Osaka Japan, Dai was fifteen when he moved to UK.

His works are recorded by and released mainly on his own label Minabel Records in collaboration with SONY Music.

Dai is currently focusing his attention on upcoming works including an opera on the life of Hokusai, a concerto for two orchestras, and a double concerto for flute and violin.
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